There’s almost always an awesome film coming out on Blu-Ray or DVD each month, so which ones should you pay attention to this month?
Aren’t we ready for next year – our own year-in-advance picks we know we’ll laugh at in several months’ time, the obvious Oscar bait that fizzles out for one reason or another, the films that catch fire at the last minute, the campaign chicanery? But we still have this Oscar
Do GRAVITY’s wins with the DGA and the PGA mean the space-set thriller will win best picture?
How will the Screen Actors Guild and Producers Guild of America’s picks affect the Oscar race?
Members of the motion-picture academy could begin voting for the Oscars as early as Dec. 27, and today marks the final day on which they can turn in their ballots. In other words, nothing that happens after today – save for some kind of technical glitch with the electronic voting
Forgive me for cribbing that movie quote, a line you couldn’t escape – believe me, I tried – upon the release of Despicable Me in 2001. It aptly describes the film: not much in the way of story, little more than an excuse for androgynous yellow creatures to spew gibberish.
The first-ever screening of David O. Russell’s American Hustle took place on Sunday. Word on the film ranges from decent to terrific, but the one aspect on which everyone seemed to agree: Jennifer Lawrence. Last year’s best actress winner apparently steals the movie with her scenes as the wife of
With around $36.6 million, Thor: The Dark World again won the box office, but competition for the number one spot was surprisingly heated, so there go the “hammer” and “clobber” puns I would have otherwise used. Malcolm D. Lee’s The Best Man Holiday, sequel to 1999’s The Best Man, more
Awards, Fests, and Campaigns Disney will push Saving Mr. Banks, which had a great stateside debut at the AFI Fest, as a drama at the Golden Globes. Most of us thought the film, which examines Walt Disney and P.L. Travers’ disagreements about 1964’s Mary Poppins, would contend in the musical
Blue is the Warmest Color, Abdellatif Kechiche’s drama about a romance between two young women, took to four screens this weekend and opened with $100,316. That’s $25,079 for each screen, a better average than Michael Haneke’s Amour, the drama about an elderly woman and her husband that earned five Oscar
Cate Blanchett got a tribute on Wednesday, Oct. 2 at the New York Film Festival. That and Blue Jasmine director Woody Allen’s personal shout-out surely gave more credence to her already-strong best actress campaign. Of course, Blanchett’s perceived rival for the Oscar, Sandra Bullock, got a boost of her own