Last time I checked in, Steve McQueen’s 12 Years a Slave had just taken best picture, best supporting actress for Lupita Nyong’o, and best adapted screenplay for John Ridley. Of course, quite a bit has changed since then; it’s time to look ahead to this year’s Oscars, but not without
For the most part, the evening went as expected – well, maybe not John Travolta’s presenting of Idina Menzel, who performed original song winner “Let It Go” (Adela Dazeem?) or Darlene Love‘s lovely impromptu rendition of “His Eye is on the Sparrow” as 20 Feet from Stardom won best documentary
Aren’t we ready for next year – our own year-in-advance picks we know we’ll laugh at in several months’ time, the obvious Oscar bait that fizzles out for one reason or another, the films that catch fire at the last minute, the campaign chicanery? But we still have this Oscar
The top races – for picture and director – didn’t change much over the last few days, but Her thankfully made some waves with the Writers Guild of America (WGA). The British Academy of Film and Television Arts (BAFTA) weighs in with its picks on Feb. 16, and that’s really
How will the Screen Actors Guild and Producers Guild of America’s picks affect the Oscar race?
AMERICAN HUSTLE and GRAVITY lead the Oscar nominations. 12 YEARS A SLAVE close behind. And what’s ALONE YET NOT ALONE?
The first-ever screening of David O. Russell’s American Hustle took place on Sunday. Word on the film ranges from decent to terrific, but the one aspect on which everyone seemed to agree: Jennifer Lawrence. Last year’s best actress winner apparently steals the movie with her scenes as the wife of
With around $36.6 million, Thor: The Dark World again won the box office, but competition for the number one spot was surprisingly heated, so there go the “hammer” and “clobber” puns I would have otherwise used. Malcolm D. Lee’s The Best Man Holiday, sequel to 1999’s The Best Man, more
Awards, Fests, and Campaigns Disney will push Saving Mr. Banks, which had a great stateside debut at the AFI Fest, as a drama at the Golden Globes. Most of us thought the film, which examines Walt Disney and P.L. Travers’ disagreements about 1964’s Mary Poppins, would contend in the musical
The movie world is all about the actors, though the occasional director, like Peter Jackson, George Lucas, or Steven Spielberg, gets lucky every now and then. Among the cinematic minds who almost always the short end of the stick, however, are the writers, but The Hollywood Reporter gives them the
Surprise: Another film we thought would contend for Oscars this year got bumped to next year, as Sony moved The Monuments Men to 2014. Apparently there wasn’t enough time to finish the visual effects. This move might give the distributor’s upcoming American Hustle more room to breathe. Monuments director George
Another twist hit awards-watchers last week as Sony Pictures Classics bumped Bennett Miller’s Foxcatcher out of its 2013 lineup – and not too long after an impressive teaser leaked. Maybe SPC simply wants its potential Oscar pony to avoid the current best picture front-runner. As Sasha Stone of Awards Daily