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James Parks

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  We hold these truths to be self-evident; that Quentin Tarantino (Django Unchained, Inglourious Basterds, Death Proof, Kill Bill Vol. I-II, Pulp Fiction, Reservoir Dogs) is a singularly talented filmmaker; that his films represent, sometimes paradoxically, the best and the worst in post-modern remix culture; that Tarantino is simultaneously the

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