Richard Linklater’s Boyhood, Alejandro González Iñárritu’s Birdman, Wes Anderson’s The Grand Budapest Hotel, Morten Tyldum’s The Imitation Game, and James Marsh’s The Theory of Everything have all made strong cases for Oscar this week – all landed Screen Actors Guild (SAG) nods for ensemble cast and Golden Globe nods in
How many saw this coming? J.C. Chandor’s crime drama A Most Violent Year unexpectedly won the National Board of Review’s (NBR) awards for film, director, actor for Oscar Isaac (who tied with the Birdman’s Michael Keaton) and supporting actress for Jessica Chastain. Less surprising were the honors bestowed by the
Christopher Nolan’s Interstellar recently screened for select bloggers and critics. Reactions seem to be all over the place, but it could end up being the big spectacle contender – because what else is there, honestly? Guess we’re still looking for “the one to beat,” assuming that we haven’t found it
Rupert Wyatt’s The Gambler will have its world premiere on Nov. 10 at this year’s AFI Fest – more specifically, in the Dolby Theatre. The remake of the 1974 drama that earned James Caan a Golden Globe nomination stars Mark Wahlberg, Brie Larson, Jessica Lange, Michael Kenneth Williams, and John
Chris Rock’s Top Five seemed to be more of a commercial prospect when distributors were fighting for get U.S. rights at the Toronto International Film Festival. However, winning bidder Paramount might also have Oscar on the mind: Five hits select locations on Dec. 5 and theaters nationwide the following weekend.
A new teaser trailer for the upcoming film A Most Violent Year, starring Oscar Isaac and Jessica Chastain has been released!
The Telluride Film Festival came to a close on Monday. Of course, the festival didn’t end without showcasing a number of potential Oscar contenders. Films like J.C. Chandor’s All is Lost, the Coen Brothers’ Inside Llewyn Davis, and Alexander Payne’s Nebraska already played at Cannes; the stateside premieres led to
Alfonso Cuarón’s Gravity kicked off the Venice Film Festival earlier today. By all accounts, it’s a great film that looks like one to beat at the Oscars, particularly for Cuarón in the director race, Sandra Bullock in the best actress race, and DP Emmanuel Lubezki in the cinematography category. Stephen Frears’ Philomena could