Inside Llewyn Davis
There’s almost always an awesome film coming out on Blu-Ray or DVD each month, so which ones should you pay attention to this month?
AMERICAN HUSTLE and GRAVITY lead the Oscar nominations. 12 YEARS A SLAVE close behind. And what’s ALONE YET NOT ALONE?
Members of the motion-picture academy could begin voting for the Oscars as early as Dec. 27, and today marks the final day on which they can turn in their ballots. In other words, nothing that happens after today – save for some kind of technical glitch with the electronic voting
Forgive me for cribbing that movie quote, a line you couldn’t escape – believe me, I tried – upon the release of Despicable Me in 2001. It aptly describes the film: not much in the way of story, little more than an excuse for androgynous yellow creatures to spew gibberish.
If a filmmaker – or in this case, filmmakers – can be underrated and overlooked despite winning multiple Academy Awards and producing fifteen, mostly critically acclaimed films over four decades, then Joel and Ethan Coen qualify. It’s not that their films don’t receive critical praise or commercial validation, but rather
Edit: This article once stated that Judi Dench was a musical or comedy contender at the Golden Globes for her work in Philomena. However, she and the film will compete in the drama categories. This week saw not only the Gotham Awards ceremony, but also the New York Film Critics
The first-ever screening of David O. Russell’s American Hustle took place on Sunday. Word on the film ranges from decent to terrific, but the one aspect on which everyone seemed to agree: Jennifer Lawrence. Last year’s best actress winner apparently steals the movie with her scenes as the wife of
With around $36.6 million, Thor: The Dark World again won the box office, but competition for the number one spot was surprisingly heated, so there go the “hammer” and “clobber” puns I would have otherwise used. Malcolm D. Lee’s The Best Man Holiday, sequel to 1999’s The Best Man, more
Blue is the Warmest Color, Abdellatif Kechiche’s drama about a romance between two young women, took to four screens this weekend and opened with $100,316. That’s $25,079 for each screen, a better average than Michael Haneke’s Amour, the drama about an elderly woman and her husband that earned five Oscar
Cate Blanchett got a tribute on Wednesday, Oct. 2 at the New York Film Festival. That and Blue Jasmine director Woody Allen’s personal shout-out surely gave more credence to her already-strong best actress campaign. Of course, Blanchett’s perceived rival for the Oscar, Sandra Bullock, got a boost of her own
Perhaps the most notable news of the week came on Monday, when The Weinstein Co. announced that Grace of Monaco will debut in theaters next year. Originally planned for release on Nov. 27, the Nicole Kidman-led biopic needs more time for completion and will hit theaters next spring as a
We Oscar obsessives discuss the Academy Awards throughout the year, but the Toronto International Film Festival kicks off what we refer to as the Oscar season – and with good reason, as we have lots of ground to cover this week. Bill Condon’s The Fifth Estate kicked off the fest with
The Telluride Film Festival came to a close on Monday. Of course, the festival didn’t end without showcasing a number of potential Oscar contenders. Films like J.C. Chandor’s All is Lost, the Coen Brothers’ Inside Llewyn Davis, and Alexander Payne’s Nebraska already played at Cannes; the stateside premieres led to
Alfonso Cuarón’s Gravity kicked off the Venice Film Festival earlier today. By all accounts, it’s a great film that looks like one to beat at the Oscars, particularly for Cuarón in the director race, Sandra Bullock in the best actress race, and DP Emmanuel Lubezki in the cinematography category. Stephen Frears’ Philomena could