A look at some of the lustful ladies who came before Amy Schumer’s TRAINWRECK.
The Other Woman starring Cameron Diaz, Leslie Mann and Kate Upton tries to be all things to all moviegoers and fails.
Blue is the Warmest Color, Abdellatif Kechiche’s drama about a romance between two young women, took to four screens this weekend and opened with $100,316. That’s $25,079 for each screen, a better average than Michael Haneke’s Amour, the drama about an elderly woman and her husband that earned five Oscar
Surprise: Another film we thought would contend for Oscars this year got bumped to next year, as Sony moved The Monuments Men to 2014. Apparently there wasn’t enough time to finish the visual effects. This move might give the distributor’s upcoming American Hustle more room to breathe. Monuments director George
Before heading into this week’s analysis, one should note that six films we assume are Oscar contenders remain unseen: American Hustle, Lone Survivor, Out of the Furnace, Saving Mr. Banks, and The Wolf of Wall Street. (The lattermost might not arrive this year, but distributor Paramount hopes it will be
Cate Blanchett got a tribute on Wednesday, Oct. 2 at the New York Film Festival. That and Blue Jasmine director Woody Allen’s personal shout-out surely gave more credence to her already-strong best actress campaign. Of course, Blanchett’s perceived rival for the Oscar, Sandra Bullock, got a boost of her own
Perhaps the most notable news of the week came on Monday, when The Weinstein Co. announced that Grace of Monaco will debut in theaters next year. Originally planned for release on Nov. 27, the Nicole Kidman-led biopic needs more time for completion and will hit theaters next spring as a
As if it needed another boost, Steve McQueen’s 12 Years a Slave won the Toronto International Film Festival’s audience award. The runners-up were Stephen Frears’ Philomena and Denis Villeneuve’s Prisoners. Expect the latter to be the big ticket this weekend as its only new competition comes in the form of
We Oscar obsessives discuss the Academy Awards throughout the year, but the Toronto International Film Festival kicks off what we refer to as the Oscar season – and with good reason, as we have lots of ground to cover this week. Bill Condon’s The Fifth Estate kicked off the fest with
The Telluride Film Festival came to a close on Monday. Of course, the festival didn’t end without showcasing a number of potential Oscar contenders. Films like J.C. Chandor’s All is Lost, the Coen Brothers’ Inside Llewyn Davis, and Alexander Payne’s Nebraska already played at Cannes; the stateside premieres led to
Alfonso Cuarón’s Gravity kicked off the Venice Film Festival earlier today. By all accounts, it’s a great film that looks like one to beat at the Oscars, particularly for Cuarón in the director race, Sandra Bullock in the best actress race, and DP Emmanuel Lubezki in the cinematography category. Stephen Frears’ Philomena could